REVIEW: Miami University’s “A Midsummer Night’s Dream” Marries Shakespeare with Woodstock Vibes

Reviewed by Shawn Maus for the League of Cincinnati Theatres (LCT)

Director Lewis Magruder and the Miami University Theatre Department breathe groovy new life into A Midsummer Night’s Dream, setting Shakespeare’s classic romantic romp amidst the rebellious spirit of the 1960s. With inspired design, tight ensemble work, and a soundtrack that hits all the right notes, this production delivers joy, magic, and meaning.

Set for the AgesScenic designer Seth Howard’s set nods to the architecture of Shakespeare’s Globe, but with a minimalist, modern twist. Its open design served the storytelling beautifully—Athens, enchanted forest, and fairyland all emerged through inventive blocking and movement. The simplicity allowed the cast to transform the space with their energy and imagination.

Woodstock Meets FairylandThe inspired choice to weave in a 1960s and ‘70s musical “score” (arranged and directed by Max Kaufman) deepened the emotional resonance and rebellion at the heart of the story. Crosby, Stills & Nash’s “Our House” provided a poignant, a cappella coda that brought a lump to the throat and a smile to the face—proof that Shakespeare and classic rock make a sublime match.

Costume DreamlandLisa Martin-Stuart’s costume design was a visual feast. The court was clad in cold greys and structured silhouettes, contrasted by the fairies’ flowing, floral fantasy. Her design captured the transition from conformity to freedom—the “midsummer dream” literally changing the world’s color palette by the final act. Bottom’s donkey head was a showstopper, especially brought to life through actor Tod Fish’s expressive physical performance.

Cast Chemistry and TimingMagruder’s cast was notable not only for its diversity, but for the cohesive ensemble work. The comedic timing, physicality, and comfort each actor had on stage made the language accessible and the humor land effortlessly. This was a group clearly having fun—and inviting us to do the same.

James Covarrubias brought kinetic charm to Robin Goodfellow. His lithe, acrobatic movement and mischievous energy made him a true “shrewd and knavish sprite,” stealing scenes as he darted across the stage with puckish precision.

Tod Fish’s Nick Bottom was a comedic powerhouse. He captured every ounce of Bottom’s exaggerated self-importance and theatrical flair, delivering laughs while anchoring the play-within-the-play with absurd sincerity.

The quartet of lovers—Sam Vendramin (Lysander), Hannah Vorderer (Hermia), Ingrid Spenn (Helena), and Teddy Rayhill (Demetrius)—were a highlight of the night. Their chemistry sizzled, especially in the chaotic Act 3, Scene 2 fight sequence. With crisp timing and bold physical comedy, they masterfully portrayed the emotional whiplash of love, confusion, and rivalry.

Sound and MagicSound designer Jason Sebastian crafted a whimsical soundscape with finesse. The subtle “whoosh” accompanying Puck’s exits and entrances was one of many flourishes that quietly reinforced the play’s magical tone without overwhelming it.

Final Verdict:Miami University’s A Midsummer Night’s Dream is a playful, poetic, and passionate ride through one of Shakespeare’s most beloved works—set to the soundtrack of a generation that understood the power of love, protest, and dreamers. This production is not to be missed.